By BY ALEX MARSHALL from NYT Arts https://ift.tt/lfGraUn via IFTTT
Meet this year’s Eurovision hosts.
With Ukraine’s hopes in its hands, Tvorchi takes the stage.
By BY ALEX MARSHALL AND MARC SANTORA from NYT Arts https://ift.tt/ANZ4HdQ via IFTTT
Awaiting an Uncertain Fate as Title 42 Expires
By BY SARAH KERR AND NOAH THROOP from NYT U.S. https://ift.tt/FSi8HTZ via IFTTT
As the war rages, some Ukrainians turn to Eurovision for a bit of cheer.
By BY MARIA VARENIKOVA from NYT Arts https://ift.tt/IbSAMYJ via IFTTT
Single adults accounted for most border crossings during the pandemic.
By BY ASHLEY WU from NYT U.S. https://ift.tt/DhFavQW via IFTTT
Mexican and Central American migrants are most affected by the lifting of Title 42.
By BY EILEEN SULLIVAN from NYT U.S. https://ift.tt/1BT7rGs via IFTTT
Backlogged Courts, and Years of Delays, Await Many Migrants
By BY ZOLAN KANNO-YOUNGS from NYT U.S. https://ift.tt/RuTCKte via IFTTT
Immigration Politics Return to the Forefront as the 2024 Race Picks Up Pace
By BY TRIP GABRIEL AND REID J. EPSTEIN from NYT U.S. https://ift.tt/f8HdAnK via IFTTT
The Los Angeles Opera, Post-Plácido Domingo
By BY ADAM NAGOURNEY from NYT Arts https://ift.tt/Wqd4slw via IFTTT
Sudan’s Clashing Forces Agree to Allow Aid In, but Not to a Truce, U.S. Says
By BY DECLAN WALSH AND MICHAEL CROWLEY from NYT World https://ift.tt/KLp0FYO via IFTTT
Here’s What to Know About ‘Queen Charlotte: A Bridgerton Story’
By BY KALIA RICHARDSON from NYT Arts https://ift.tt/XvwyR4A via IFTTT
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